Cafe Terrace, Place Du Forum, Arles

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Van Gogh (Dutch, 1853-1890)

Cafe Terrace, Place Du Forum, Arles, 1888

Now in Kröller-Müller Museum, Otterlo, Netherlands

 

Café Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is a coloured oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters. There is also a large pen drawing of the composition which originates from the artist's estate.

Visitors of the site can still stand at the northeastern corner of the Place du Forum, where the artist set up his easel. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais leading up to the building structure (to the left, not pictured) and, beyond this structure, the tower of a former church (now Musée Lapidaire). Towards the right, Van Gogh indicated a lighted shop as well, and some branches of the trees surrounding the place—but he omitted the remainders of the Roman monuments just beside this little shop.

Dafen is a suburb of Buji, Longgang, Shenzhen in Guangdong province, China. In the early 1990s a group of about twenty artists under the leadership of the painter and businessman Huang Jiang took up residence in this town. They specialised in the making of large numbers of replicas of oil paintings by masters such as Van Gogh, Dalí, da Vinci, Rembrandt or Warhol.
These replicas were sold in many countries for relatively low prices.

The endeavor was quite successful and the demand for replicas increased. In order to fulfill the demand more and more artists took up residence and started to make a living, the estimate (2006) being in the thousands.
Many of the artists are trained at art academies in the required techniques and produce dozens of replicas daily.
The official policy states that these replicas are of paintings of artists who have died more than seventy years ago and consequently out of copyright.

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